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I've been occupying my insomnia the last couple of nights with this — it's a British armoured car, the Staghound Mk.I, from WWII, modelled in Blender in 1:100 scale.
It's not completely finished yet, as usual. There are bits that I've forgotten, like the headlights. I'll get around to it.
I've piled it up with a whole bunch of clutter, and there may well be more of that to come.
A bit later on...
I like to have human figures in my vehicles, both to give a sense of scale and to make them seem less like an army of autonomous robot vehicles when I'm playing at Toy Soldiers with them.
To that end I've opened up one of the hatches and bunged a generic AFV commander in the hole.
NOTE: I've put the STLs up online, and they are available at https://www.wargaming3d.com/product/mojobob_hoochyman_staghound_mk_i
An Indeterminate Number of Days Later...
Here is concrete evidence that I am in the process of printing this model. It's my Mars Pro, printing this model.
I would have got on to it sooner, except that I had to replace the FEP after a misprinting disaster about a week ago, and I'd been putting it off due to my Chronic Procrastination Syndrome (I hear that a cure is years away).
...and later that day
The test print went well. No issues at all to speak of.
We see it here with both turrets, closed and open, though I only printed one hull and set of wheels.
I've given it a brown primer coat, and I'll be painting it in the Light Mud (SCC 5) and Black scheme for Italy. I already have a Battlefront Daimler armoured car in those colours, so I might as well continue.
These are the Vallejo paints I'm using:
- For SCC 5 Light Mud — VMA 71.028 Sand Yellow.
VMC 70.987 Medium Grey is a good brushable match. - For SCC 7 Dark Olive Green — VMC 70.888 Olive Grey
I have, in the past, used VMC 70.988 Khaki for SCC 5, and it looks okay, but in scale I think it's a touch dark, especially when washes and what-not have gone over the top.
Xmas Day
Shiny! So shiny!
We're at an intermediate stage of painting now.
All the various bits have their base colours on, along with a few washes here and there to accentuate detail, and now I've given everything a couple of coats of gloss varnish in preparation for some oil washing.
The gloss finish helps to stop the pin washes from discolouring the underlying paint, and it will be mitigated at the end of the painting process with an overspray of matte varnish.













