Hail Sauron

I recently bought myself a copy of Hail Caesar, the ancient-to-medieval wargames rules from Warlord Games. The mechanics are heavily based on their 18th-19th century rules, Black Powder, with variations to better reflect pre-gunpowder warfare.

There is much that I like about these rule sets, not least the fact that they assume that games are played between gentlemen (or gentlewomen) and friends, and not between cads, bounders and mortal enemies. Therefore, much of the pettifoggery that inevitably leads to tiresome metagaming and rules-lawery is avoided in favour of keeping things moving and everyone having a jolly good time. They are, as much as any wargame can be, non-competitive, and I like that.

Something that all of Warlord Games' rules do is to provide lists of special features and abilities that can be applied over the base rules, to differentiate specific troop-types. They may, for example, make troops more or less difficult to shake or disrupt, or make them more ferocious in the charge while less enduring should that charge fail to destroy the enemy. The lists, as the authors point out, are exemplary rather than definitive, and players are encouraged to create their own where they deem them necessary.

The beauty of this system is that it can be trivially adapted to fantasy wargaming in the vein of Hordes of the Things* simply by creating appropriate troop abilities and applying them as required. Most things can be achieved with minimal alteration of existing ability classes, but not all — flying troops, for example, are not something the authors of Hail Caesar really felt the need to address, there being a paucity of them in ancient times (as far as we know).

Wizards on the battlefield are slightly problematic — but only slightly; for the most part they can be dealt with using existing mechanisms. In game terms, any sort of attack spell (fireballs, calling down the lightning, and so forth) are really nothing more than a more spectacular form of artillery fire, and can be dealt with as such. Things get a little bit trickier if you want to incorporate things like illusions, mind control and so forth, and care needs to be taken that such abilities aren't too earth-shakingly powerful (unless you actually want the game to degenerate into a contest between opposing wizards).

Taking mind control spells as an example: I would suggest that an attempt to take over an opposing general could be thwarted by a successful 2d6 Command Roll, on the theory that the better the general, the greater his strength of will and so forth. If the mind control is successful, the player can then issue his own orders through his puppet-general for a period determined by a d6 roll: if 1-3 is rolled, one round. Two rounds if 4 or 5 is rolled, and three rounds on a 6. Mind control is automatically stopped if the wizard unit takes any casualties.

Fear spells could make troops more vulnerable to becoming shaken and breaking either by temporarily reducing their Morale score, or by inflicting "casualties" to the same effect. Fanatical or brainless troops might be immune to fear effects.

Undead troops like skeletons and zombies are something that would require careful handling, lest they become unstoppable death-juggernauts. They probably should have a morale effect on their foes, and they would fight until destroyed rather than running away, but just how far to go with these things I'm unsure of — it needs some pretty thorough play-testing I think.

These few examples show how easy it would be to adapt the game to whatever flavour of fantasy you prefer.

The key to building any fantasy wargaming adaptation to Hail Caesar is, in the end, the agreement of all concerned. If your wargaming mates agree, then go for it and try it out. If they don't, then make whatever modifications are necessary and renegotiate the situation as friends, not as adversaries. The whole point of the game is, after all, to have fun with toy soldiers.



Phil Barker of WRG has made the 2nd Edition Hordes of the Things rules available for free PDF download (for personal use only).

In the Spring a young man's fancy lightly turns to thoughts of hideous post-apocalyptic mutants...

I've been developing a yen, of late, to run a brief space-opera-ish game of some sort. I don't know why, exactly; it's just the sort of thing I like to do from time to time. It's probably because I was re-reading some old campaign logs from a Space Hero game I ran some years ago. I thought that I'd do it using the Mutant Future rules by Daniel Proctor and Ryan Denison.

From Wikipedia:
Mutant Future is a post-apocalyptic, science fantasy role-playing game created by Daniel Proctor and Ryan Denison and published by Goblinoid Games. The game is compatible with Labyrinth Lord, which emulates the rules of classic era Dungeons & Dragons (D&D) using the Open Game License (OGL) from Wizards of the Coast. The game is thematically patterned after genre predecessors such as Metamorphosis Alpha and its more widely known and published follow-up, Gamma World.
There's a lot that I like about Mutant Future. Being based on old-school D&D systems makes it easy to run and play; everyone is already familiar with the basics, and there aren't too many gotchas to trip us up. It uses the standard six character stats, except that Wisdom is renamed Willpower to more accurately reflect its use in the game.

I really like its character creation and advancement too (though in truth, character advancement isn't likely to be too relevant in a short-form campaign).

Unlike in D&D, characters in Mutant Future base their hit-points directly on their CON score, getting one hit-die per point of CON (hit-dice vary depending on species; a standard un-mutated human gets d8). That hit-point total won't ever change with level unless CON changes. As a character rises in level, they get one of the following benefits:

  1. +1 melee damage (10%)
  2. +1 attack per round (10%)
  3. +1 to a randomly-determined characteristic (80%)

I guess, for a straight space-opera game, you could just ignore the mutations for PCs. Then again, they might be fun. On the other hand, that opens it up to the potential for psionics, which I loathe in roleplaying games. On the other other hand, some of the Mental Mutations are pretty cool. On the other other other hand — psionics. Bleeuch.

Air/Raft

 In our Traveller campaign, our main mode of transportation (apart from our stolen commandeered liberated ship) is an increasingly battered stolen commandeered liberated air/raft.

We don't actually use miniatures in the game, but I thought, nevertheless, that we really needed a model of our trusty air/raft, so I made one.

It started life as a Hot Wheels toy that I picked up for a couple of bucks from the Warehouse. I took it to bits, filled in the wheel-wells, put it back together and gave it a new (old) coat of paint.

We really ought to give it a wash one of these days. The thing is a disgrace.

Now I'll have to get some 15mm figures to turn into passengers for it. Fortunately, 15mm sci-fi figures are a lot easier to come by these days than they used to be.

By the way... why is there a slash in air/raft? I've never been able to figure that out.

Musings on Class

Druids? Or just grubby old men in blankets? I have a fondness for AD&D, but one of the things that drove me away from it back in the...